Amsterdam Red

22.6 × 30.5 cm

Limited Edition Giclée Reproduction on fine art paper.

198 from the Paul Kenton / 365 project, this print is part of a limited edition collection of 365 editions.

The canals of Amsterdam each have their own unique charm, and this one is no exception. Fiery orange trees line the canal, against a crisp blue sky, as a bike leans casually against the bridge railings – a typical snapshot of Amsterdam life. Paul paints the bike with just a few loose strokes to emphasise the relaxed atmosphere of the scene.

Mountainscapes - A Print Collection Set by Contemporary Cityscape Artist Paul Kenton. Limited Edition Giclée Reproductions on fine art paper. Available to Purchase.

Details of this piece

Title

“Amsterdam Red”

Size

22.6 x 30.5 cm

Media

Giclée Reproduction on Museum Grade Paper

Format

Limited Edition Print

Frame

Unframed

Price

£325

  Arrange a viewing

  Send a message

  Call the Studio on +44(0) 1271 862844

  Start a Live Chat

  Free International Delivery for Unframed Prints!

  International Shipping Information

Amsterdam Red

22.6 × 30.5 cm

Limited Edition Giclée Reproduction on fine art paper.

198 from the Paul Kenton / 365 project, this print is part of a limited edition collection of 365 editions.

The canals of Amsterdam each have their own unique charm, and this one is no exception. Fiery orange trees line the canal, against a crisp blue sky, as a bike leans casually against the bridge railings – a typical snapshot of Amsterdam life. Paul paints the bike with just a few loose strokes to emphasise the relaxed atmosphere of the scene.

Giclée Print Quality

Giclée (zhee-clay) is a French term, in this case meaning “spray of ink”. A giclée is a means of reproducing an original. It is not an original graphic but a fine quality reproduction print. Giclée prints render deep, saturated colours and have a beautiful painterly quality that retains minute detail, subtle tints and blends. The 365 prints are reproduced on high quality, museum grade papers, using premium light fast inks.

The production of a giclée print is not an automatic process. The human touch is critical in several phases of the giclée process. First the giclée prints began as Paul’s original art. Second the work was photographed in studio conditions using a Leica M240 50mb camera. Each artwork was then meticulously colour corrected. That colour correction requires an experienced eye and touch in making the proper adjustments in tone, contrast, sharpness and other factors to produce a print that faithfully reproduces the original. Third, in matching the computer image with the final print, a practised eye must make adjustments for the best results. And last, the printer itself needs steady attention to produce consistent, quality results. In short, the human hand is part of every step of the giclée process, with Paul himself overseeing each one. Indeed, the difference between a quality giclée print and one that is not, lies almost entirely in the human involvement and craftsmanship.

Subscribe/follow for the latest video & imagery of Paul's art

Subscribe to Paul's Mailing List for news & updates

Subscribe now

News

Introducing 365 Print Collection Sets

...