Details of this piece


“Motion of New York”


27.5 x 39.5 cm


Giclée Reproduction on Museum Grade Paper


Limited Edition Print





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“Motion of New York”

27.5 x 39.5 cm

Giclée Reproduction on Museum Grade Paper, Unframed

259 from the Paul Kenton / 365 project, this print is part of a limited edition collection of 365 editions.

For this days piece, Paul wanted to experiment with creating a piece which was abstract, but at the same time recognisable as a busy New York street. The black paint brushed on either side of the piece gives a blurred impression of the high rise buildings of the city, whilst the bold lines and dots emanating from the distance suggest streaming traffic. Paul added hints of gold paint to intensify the molten sunset tones even more, and to catch the light when viewed from different angles.

Giclée Print Quality

Giclée (zhee-clay) is a French term, in this case meaning “spray of ink”. A giclée is a means of reproducing an original. It is not an original graphic but a fine quality reproduction print. Giclée prints render deep, saturated colours and have a beautiful painterly quality that retains minute detail, subtle tints and blends. The 365 prints are reproduced on high quality, museum grade papers, using premium light fast inks.

The production of a giclée print is not an automatic process. The human touch is critical in several phases of the giclée process. First the giclée prints began as Paul’s original art. Second the work was photographed in studio conditions using a Leica M240 50mb camera. Each artwork was then meticulously colour corrected. That colour correction requires an experienced eye and touch in making the proper adjustments in tone, contrast, sharpness and other factors to produce a print that faithfully reproduces the original. Third, in matching the computer image with the final print, a practised eye must make adjustments for the best results. And last, the printer itself needs steady attention to produce consistent, quality results. In short, the human hand is part of every step of the giclée process, with Paul himself overseeing each one. Indeed, the difference between a quality giclée print and one that is not, lies almost entirely in the human involvement and craftsmanship.

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Introducing 365 Print Collection Sets